Sculpting RealityThe medium of photography has long had tenuous ties to both the truth and the arts. This volume traces the evolution of documentary photographyfrom its origin as a journalistic tool through its development into a distinct artistic and aesthetic form. Beginning in the 1930s with Walker Evans foundational influence on the genre and culminating in the 1980s with the experimental color work of Anthony Hernndez and Tod Papageorge, Sculpting Reality
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